The lyrics and notation of the original music are included in this volume, edited by Mark Alberstat. After a hiatus or two, the project was completed with the sixtieth song in 2017. Jim Ballinger began writing folk songs about each of the Sherlock Holmes stories in 1981 and performing them at meetings of the Bootmakers of Toronto with accompaniment on his guitar. Have you ever arrived at a Sherlockian meeting having not read the story of the day? What you need is a 3-minute synopsis. Sherlock Holmes in Song is available on this site with a share going to our good causes: Also available from:
By the time I’ve learned all of these songs, maybe he’ll be ready with Volume II. At some point another song will suggest itself, and then another. Ballinger composed these songs over several decades, and upon reaching the goal of one for every Canonical story, it would be understandable if he chose to rest from his labors. It should certainly be the Official Hymnal for The Church of the Canonical Sherlock Holmes. I grew up hired to piano in a number of churches of various denominations, with exposure to various hymnals, and any church would be proud at how professional-looking this book is. These aren't just rinky-dink little songs, and this massive high-quality book, with a composition for every story in The Canon, will keep me busy for a long time. which is why it's such a treat and pleasure to receive "Sherlock Holmes in Song" by Jim Ballinger, and edited by Mark Alberstat. I've continued to play to the present – I pretty much can't pass through our living room without stopping and playing something.
(Good Lord, nearly 50 years.) I was a piano performance major for my first two years of college, until I decided to retain my amateur status and changed it to a minor in music. I've been playing piano since I started at age 8 in 1973. Other influences include Cole Porter, Noel Coward, Tom Lehrer and Gordon Lightfoot.” You can check that on Jim’s YouTube channel, where you can hear and see him performing. There's even some tasteful yodelling at the Reichenbach Falls in ‘The Final Problem’, and ‘The Creeping Man’ strays dangerously close to punk rock. As the blurb says: “The music encompasses a variety of styles from generic trad rock or folk rock to Victorian music hall, Gilbert and Sullivan patter songs, sea shanty (‘Black Peter’), rhumba (‘The Dancing Men’, ‘The Sussex Vampire’), bouzouki (‘The Greek Interpreter’), country and western (‘The Three Garridebs’), military band (‘The Naval Treaty’), rugby song (‘The Missing Three-Quarter’), and drinking song (‘The Six Napoleons’).
Book review sherlock holmes in america plus#
Here’s a musical synopsis of each of the sixty stories, plus one song, “Lasting Impressions”, that sums up the eternal attraction of Holmes and Watson. He’s now back in his native Canada, but this handsome large-format book is a good reminder of his talent to amuse - and an invitation to perform the songs for ourselves. Jim Ballinger attended meetings of the Society when he was lecturing at King’s College, London, and he occasionally entertained us with his canonical ditties.
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